
The layers of instrumentation and rich vocal harmonies and interplay between Ryan, Molly and Jasmin are often as introspective as the lyrics, as Mother Mother ventures deep within to heal from the inherent suffering that is part and parcel of the human condition. The goal was to infuse the songs with a living, breathing energy, and the focus was more on how the album should feel, rather than how it should sound. Redekopp worked with the band on their first two albums, including the band’s 2007 debut Touch Up and 2008 fan-favorite O My Heart. But since that wasn’t an option, I set about a different kind of travel, one more inward and personal, exploring different types of therapies, meditation, and journaling as a means to unearth songs from a deeper, interior place.”Īfter several months of writing and recording demos in his home, Ryan and the band- which includes singer/keyboardist Jasmin Parkin, drummer Ali Siadat, bassist and multi-instrumentalist Mike Young, and Ryan’s sister, singer/keyboardist Molly Guldemond (who also handles all of the band’s design and creative direction)- joined producer Howard Redekopp in Afterlife studios’ expansive live room in Vancouver last June. I love that process – it’s almost like you’re in collaboration with the world. “Usually, I like to venture out and find guidance from an external, interactive narrative - travelling, people, serendipities etc. “The world stopped, and all of sudden I had a lot more alone-time on my hands, which isn’t necessarily conducive to songwriting,” Ryan says. Written during the first wave of the COVID- 19 pandemic, Inside sees band frontman and songwriter Ryan Guldemond seeking inspiration through self-discovery and reflection.

The old adage “It starts from within” takes on a whole new meaning during a global pandemic, a poignant theme that threads through Vancouver indie rock band Mother Mother’s eighth full-length album Inside. release followed that spring on Def Jam Recordings.When the world prevents you from going outside there’s no other choice but to lean inward. Their success led to a deal with Universal Music Canada, and the heavier, technology-themed, synth rock sound of 2014's Very Good Bad Thing hit the Top Five and earned the band a nomination for Group of the Year at the 2015 Juno Awards. With their third album, 2011's Eureka, the quintet broke through commercially, hitting the Billboard Canadian Album Top Ten, followed by 2012's The Sticks, which climbed to number 11. The band then underwent some lineup changes: Ali Siadat replaced Loewen on drums for 2008's O My Heart, and later that year Creelman left the band, with Jasmin Parkin joining on keyboards soon after. Given a new mix, some additional overdubs, and two new songs, the album was renamed Touch Up and fared much better commercially the second time around, as well as generating a new batch of enthusiastic reviews upon its release in early 2007. Mother Mother's solid live shows and positive press earned the attention of the Canadian label Last Gang Records, who signed the band to a deal and made plans to re-release their debut album.

The album sold poorly, but earned enthusiastic reviews, and helped the band score some high-profile gigs, including the Vancouver International Jazz Festival, the Montreal International Jazz Festival, the Pop Montreal Festival, and spots opening for the Wailin' Jennys, the Dears, Think About Life, and the Cat Empire. In late 2005, Mother Mother recorded and released a self-titled and self-released CD, with bassist Jeremy Page and drummer Kenton Loewen coming aboard as the group's new rhythm section. Molly invited her friend Debra-Jean Creelman to add her voice to the mix, and the group's three-part harmonies were soon wowing audiences. Feeling the tunes needed harmonies, he asked his sister Molly Guldemond to join him. Guitarist and singer Ryan Guldemond had been writing songs and wanted to start playing them at local clubs. Playing smart and amiable folk-rock with an alternative edge, biting wit, and a jazzy sense of sophistication, Mother Mother hail from Vancouver, British Columbia, Canada, and true to their name they started out as a family affair.


Playing smart and amiable folk-rock with an alternative edge, biting wit, and a jazzy sense of sophistication, Mother Mother hail from Vancouver, British Columbia, Canada, and true to their name they started out as a family
